Trans Audio Video presenta il nuovo Shogun Inferno di Atomos che combina un monitor ad alta risoluzione ed una registrazione con elevato frame rate.
Info e ordini:
TRANS AUDIO VIDEO SRL
sales@transaudiovideo.com +39.0823.329970
Shogun Inferno combines our award winning HDR, high bright monitor with high resolution, high frame rate recording. Designed for the world's leading cinema cameras with both QuadLink SDI* and HDMI 2.0 connections for recording up to 4K 60p (HD 240p*) video, 4K 30p Raw to CDNG* and 4K 60p Raw to ProRes / DNxHR*.
* Available in future firmware updates
Overview
Shoot HDR with log cameras
AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.
1500nit 10-bit
The 10-bit panel resolves more colors (1.07 billion colors compared to 16.7 million for standard 8-bit panels) to ensure smooth color transitions in both HDR and SDR (standard dynamic range) shooting. The 1500nit panel brings HDR to life, accentuating high contrast scenes. While for regular SDR scenes, use the brightness slider to take advantage of the 1500nit screen for hood-free outdoor monitoring.
PQ & HLG playout & input
The AtomHDR engine not only lets you set perfect exposure in the field, you can take a HDR output in either PQ or HLG* standard to compatible HDR screens or accept HDR input from your NLE for mobile grading or for HDR connection from cameras with a PQ or HLG* output
* Available in future firmware updates
4K 60P & HD 240P recording
Shogun Inferno combines high resolution recording, high frame rate recording and playback. Record Video from both HDMI and SDI cameras direct from the sensor to 4:2:2 10-bit ProRes or DNxHR up to an amazing 4K 60p or HD 240p*. Record Raw over SDI* up to 4K 30p either directly to CDNG or record to ProRes or DNxHR. Playback recorded ProRes or DNxHR files via the HDMI or SDI output at the same high frame rates to supporting monitors
* Available in future firmware updates
LOG and RAW over QUADLINK SDI
The QuadLink SDI connections* offer the widest camera compatibility with 1.5G/3G/6G/12G SDI inputs and a single 12G SDI output. Recording RAW* from Arri, Sony, Canon and Panasonic cameras provides 4K functionality not available in some cameras whilst also offers a far more affordable solution in terms of media costs.
* Available in future firmware updates
Simple OS, Sophisticated Shots
Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 Video or upload .cube files) and options for anamorphic de-squeeze monitoring.
Continuous power & super fast charging
Inferno features our patented continuous power system - a hot swappable dual battery system that automatically swaps to the second battery when power is low. To support the dual battery system we include a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured.
Monitor & record XLR audio
The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power.
Advanced recording capability
Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximise your creativity.
Battle-Ready! For the field
Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, 2 x input XLR breakout cable, control cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.
Specs
Weight
|
| Without batteries & media |
709g / 25.0oz |
| With batteries & media |
1153g / 40.7oz |
| Dimensions (W x H x D mm) |
214 x 127 x 45mm, 8.4 x 5 x 1.8” |
| Construction |
High quality lightweight ABS Polycarbonate for durability & portability |
|
Built-in armor protection |
Power
|
| Operating power |
10 - 27W |
| Compatible batteries |
NP-F series and supporting accessories |
| Input voltage (battery) |
6.2V to 16.8V |
| Battery time (based on 7.4V) |
- |
|
5200mAh - up to 1.5hrs (monitor & record 4K 30p) |
|
7800mAh - up to 2.2hrs (monitor & record 4K 30p) |
| DC In |
1 x DC in (6.2 - 16.8V) |
| Continuous power
* Patent pending |
Primary-secondary battery system.
Change batteries without losing power
Loop batteries continuously |
Touchscreen
|
| Size |
7.1” |
| Resolution |
1920 x 1200 |
| PPI |
325 |
| Aspect ratio |
16:9 native |
| Color Gamut |
REC709 HDTV |
| Look up table (LUT) support |
3D LUT (.cube format) |
| Anamorphic de-squeeze |
2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology |
SuperAtom IPS panel (capacitive touch),
calibration to Rec.709 with optional calibration unit |
HDR
|
| AtomHDR |
Yes |
| Supported Log formats |
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm |
| Supported Gamuts |
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut |
| Bit depth |
10-bit (8+2 FRC) |
| Brightness |
1500nit (+/- 10%) |
| HDR input (PQ/HLG*)
HDR output (PQ/HLG*) |
Yes / Yes *
Yes / Yes * |
Video Input/Loop Out
|
| HDMI |
1 x HDMI (2.0) |
| SDI |
Quad link 4 x 3G SDI* or up to 12G single link SDI |
| Signal |
Uncompressed true 10-bit or 8-bit 422
(camera dependent) |
Video Output (Play Out)
|
| HDMI |
1 x HDMI (2.0) |
| SDI |
1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
| Signal |
Uncompressed true 10-bit or 8-bit 422
(playback file dependent) |
Supported Loop Out Formats
|
| HDMI to HDMI |
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60 |
| SDI to SDI |
720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60 |
Video Signal Conversion
|
| HDMI to SDI |
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60 |
| SDI to HDMI |
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60 |
Supported Codecs & Frame Rates (Record & Playback)
|
Raw Record*
|
Sony FS5/FS7^^/FS700 CDNG*
4K DCI; 24/25/30p
4K UHD;
2K; 24/25/30/50/60/100/120p
1080;Canon C300MKII/C500 CDNG*
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;Panasonic VaricamLT CDNG*
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
Arri Alexa Mini .ARI*
2880x1620; 24/25/30/50/60p
2880x2160; 24/25/30/50/60p |
| Raw to ProRes / DNxHR |
Sony FS5/FS7/FS700*
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30/50/60p
4K UHD;
2K; 24/25/30/50/60/100/120/200*/240*p
1080;Canon C300MKII/C500*
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080; |
| Video to ProRes / DNxHR
(DNx utilizes a .MOV wrapper) |
Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LBFrame rates
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; N/A
1080p; 24/25/30/50/60/100^/120^/200*/240*p
1080i; 50/60i
720p; 50/60p |
Onboard Processing
|
| Pulldown removal |
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring |
Yes - Loop-out and playback (Not available in RAW) |
Audio In/Out (48kHz PCM Audio)
|
| HDMI |
2 or 8ch 24-bit, camera dependent |
| SDI |
12ch 48kHz 24-bit |
| Audio |
2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic |
Remote Start/Stop
|
| HDMI |
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI |
SDI trigger camera selectable |
| Other |
LANC control - Slave |
Playback
|
| Playlist |
Yes |
| Genlock / LTC |
Yes / Yes |
Recording
|
| Pre-roll record |
Yes (HD 8s, 4K 2s) |
| Custom timelapse |
Yes |
| Meta data tagging |
Yes (10 tags available) |
| Supported media
(Approved List Only) |
4K / HD (50/60/120p*)
SSD 2.5”, HDD (7,200 up to 1080p60)HD
SSD 2.5”, HDD (5,400 up to 1080p30) |
| Master caddy case |
Master Caddy II (included)
75mm x 105mm x 12mm |
| Master caddy dock |
2.5” SATA to USB 2.0/3.0 |
| Supported applications |
Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015 |
| XML support |
FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
| Accessories included |
Shogun Inferno unit, Custom HPRC case,
Control cable, XLR input breakout cable, 2x NP-F750
5200mAh batteries, Fast battery charger, SATA 3/2 to
USB 3/2 HDD/SSD docking station, DC to D-Tap coiled
cable, Master Caddy II x 5, 12V-3A AC adapter x 2
(Fast charger & DC power), HDR sunhood |
| Optional extras |
Atomos HDMI cable, serial to USB X-Rite calibration cable, XLR in/out breakout cable |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
^^ Optional unit (XDCA-FS7) needed for Raw output.
Galleria immagini
AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.
Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximise your creativity.
